The Best 7 Lenses for the Mirrorless Cameras – Review and Guide 2023

A good lens makes all the difference in capturing great photos if you’re a photographer. But if you’re new to mirrorless cameras, what lenses should you choose for the best results? With all the options out there, it’s hard to choose which lens is right for you.

The mirrorless type of camera does not have a reflex mirror. Light passes directly through the lens to the digital sensor, which displays your image on an LCD screen, allowing you to adjust settings and preview your pictures before taking them.

This camera was not considered an interchangeable-lens camera before, but changes and advancements have enabled it to incorporate more mirrorless lenses, making it an important part of customizable photography.

This article aims to provide you with a list of some of the best lenses for mirrorless cameras and why they are so great. So read on and learn how to pick the perfect lenses for your next photography adventure!

Best Recommended Lenses For Mirrorless Cameras

We have compiled a list of the Best lenses for mirrorless cameras that we recommend.

1. Canon RF 24-240mm f/4-6.3 – best all-rounded lens for a mirrorless camera

As a professional photographer who creates lovely memories by combining outdoor and indoor aesthetics and genres, I have always been intrigued by photographs because of their visual features. I have used the Canon RF 24-240mm f/4-6.3 lens with mirrorless cameras for quite some time, and I have always found it to be a fantastic combination.

With the mirrorless, most sensitive all-around lens, I pulled off the cleverest feint I’ve ever pulled with these photos. I cannot anticipate when a beautiful, sunny day might turn into a rainy one, so my quick f/4-6.3 aperture gives me a more natural reaction and allows me to work closer to my subjects.

Combining it with the mirrorless AF camera, which monitors the motions of moving subjects with great accuracy and precision, my clips have a remarkable level of color stability and brightness in even low-light situations, making them one of the best all-around lenses on the market today.

Specifications:

Product Dimensions3.2 x 3.2 x 4.8 inches
Item Weight2.1 lbs
focal length 24-240mm
Aperturef/4-6.3
Zoom power10x
Magnification1:3.8
Lens OptimizerDigital Lens with control ring
Image StabilizationOptical Image Stabilization

Why I recommend:

The mirrorless lens had a lightweight, small design, a rapid aperture rate, and a wide focal length, which gave me accurate, clear pinpoints. With cutting-edge technology, the lens can capture both static and moving objects. It contains alternative ways of framing gorgeous photographs of all topics without being constrained by a specific context or shallow depth of field.

Its compatibility with all types of photography is unwavering, giving it the beauty that other lenses aspire to. It has taught me how to adjust the photo settings based on my needs by adjusting the lens control ring. I have a great working relationship with the mirrorless camera, which inspired me to buy this all-around lens.

As a result of adopting the lens control ring to my needs, I have appropriately adjusted the photos’ settings. With five stops of optical stability, my clips have seen a big increase in traffic that cannot be ignored, making it quiet and productive in various light conditions while focusing more smoothly for professional-looking pull-focus effects.

Why I don’t recommend:

I am disappointed with the Canon RF 24-240mm f/4-6.3 lens as it has some chromatic aberration and does not have any weather protection.

Pros

  • Compact and lightweight
  • Versatile zoom range
  • Excellent 10x zoom power
  • Optical image stabilization
  • Fast and silent autofocus

Cons

  • Slow maximum aperture
  • Noisy images at high ISO settings

2. NIKKOR Z 85mm f/1.8 – best portrait lens for mirrorless camera.

My whole crew was thrilled to receive a large shipment from a fashion manufacturer. We had been tasked with photographing portraits as a part of the critical topic. As part of my setup, I used my mirrorless camera and the brand-new “NIKKOR Z 85mm f/1.8” lens as my portrait lenses.

With its electromagnetic aperture technology, which is especially useful for continuous shooting at high speeds, it has better exposure control stability. For my model photo, everything worked out well.

With great bokeh and image quality, this is an excellent lens for portraits and wide-angle shots with the main subject in front. The lens is light, versatile, and has great bokeh. Featuring a fast aperture of f/1.8, it is perfect for low-light and shallow depth-of-field shooting. This could be a good choice for portrait lenses or photography cameras.

Specifications:

Item Dimensions3.89 x 2.95 x 2.95 inches
Item Weight1.04 lbs
Maximum Aperture1.8mm
Maximum Focal Length85mm
Maximum Aperture RangeF 1.8
Minimum Aperture22mm
Minimum Focal Length85mm
Photo Filter Thread Size67mm

Why I recommend:

The Nikon S-Line lens is one of the best Nikon mirrorless lens for model photography, with a short telephoto focal length, and is ideal for portraits and detailed shots. It is a premium S-Line lens with excellent optical performance, and aesthetic delicacy, and its bokeh are stunning.

The resolution is incredible. The bokeh is attractive. There is unwavering focus and exact adjustment that is accurate in a realistic manner. This 85mm lens will inspire those who capture portraits, headshots, close-ups, or tight videos.

It offers an equivalent 35 mm angle of view to a short telephoto lens of 125 mm. With its two ED glass components and Nanocrystal coating, I enjoy using this device as it provides edge-to-edge brightness and clarity across the entire focal range. The fast aperture of f/1.8 allows for accurate field control depth in portraiture, low-light photography, and stunning bokeh effects.

Why I don’t recommend:

In my experience, I haven’t been able to find any image stabilization when I have used this lens, which is also big in size and heavy in weight.

Pros

  • Pleasing bokeh and extremely sharp
  •  Fast aperture allow for great low-light performance and shallow depth of field.
  •  Excellent optics and build quality.
  •   Very versatile focal length
  •  Fast and accurate autofocus
  • Weather-sealed construction

Cons

  • Some vignetting at wider apertures
  • No image stabilization.

3. Sigma 14mm f/1.8 – best landscape lens for a mirrorless camera

A dairy company employs me. It is my friend’s company, and I work as a professional photographer for him. I use my Sigma 14mm f/1.8 lens to capture landscapes with my mirrorless camera. His farm has much livestock and these sorts of images are mostly liked at social media.

I’ve always been afraid of animals, but that fear has never stopped me from taking photographs, thanks to my camera and the “Sigma 14mm f/1.8” lens, one of the best landscape lenses for my mirrorless camera. It allows me to get as close to the subject as possible without obscuring important aspects of the background picture, so viewers feel as though they are there instead of viewing a snapshot of the scene.

I can see more of the scene in my frame because of the larger field of view. This lens is suitable for various situations, and most photographers carry at least one reliable wide-angle lens in their kit. It opens up the horizontal field of view (or angle of view), allowing me to capture as much of the scene as possible. The “Sigma 14mm f/1.8” is the best landscape lens on the market.

Specifications:

Item Dimensions5 x 3.8 x 3.8 inches
Item Weight2.58 lbs
Maximum Aperture1.8 mm
Maximum Focal Length14mm
Maximum Aperture Range1.8
Maximum Format SizeFull frame
Minimum Aperture16mm
Minimum Focal Length14mm
Maximum Magnification0.1x
Optical Design16 Elements in 11 Groups

Why I recommend:

Having a lens with an aspherical element helps me eliminate chromatic aberration. It has reduced light distortion in my photographs, giving them a more detailed look. It helps me keep my pictures sharp and clean at the moment.

My images are enhanced by the fact that this lens has a lot of personalities that help me achieve the look I want in them. I am astonished at how it affects every image I shoot using it. Aside from adding a visual touch to appearances, it also creates noticeable barrel distortion that makes them stand out and makes them stand out. It seems like you’re looking through a peephole.

This “Sigma 14mm f/1.8” lens will allow you to capture all your subjects in one shot. It is the perfect lens for those worried about getting too close to animals but wanting to capture spectacular movies and images of them. For me, this is the lens of a lifetime.

Why I don’t recommend:

When the animals were captured, some barrel distortions were seen, and flares, which accompanied that distortion, were also observed through the scope after the capture.

Pros

  •  Fast aperture of f/1.8
  • Ultra-wide angle of view
  •  Excellent build quality
  • Weather-sealed
  • Excellent in low light
  • Suitable for both photo & video
  •  Excellent image quality

Cons

  • Heavy and large
  • Expensive
  • Slow autofocus

4. Sony 70-350mm F4.5-6.38 G OSS – best telephoto lens for a mirrorless camera

I enjoy seeing nature manifest in different areas and learning about new sites. To make my photos more enjoyable, I searched for what I needed; mountains, skies, moons, sports, creatures living there, etc. I tried to capture everything unique about that location.

A friend recommended the “Sony 70-350mm F4.5-6.3” lens, so I bought it. At first, I wanted to know if it would work with my images since I am a very picky photographer. This lens highlights subjects in my photographs, such as the moon and mountains. Wildlife, landscapes, and mountain vistas are transformed. It has been my best investment.

105-525mm is the equivalent focal length of this Sony “70-350mm f/4.5-6.3 G OSS” zoom for APS-C format E-mount cameras, which covers a valid range of telephoto focal lengths. With the long reach of this lens, it is ideal for shooting sports, wildlife, and landscapes. This champion brings me close to my subject without even moving a step when I have to shoot wildlife to which I cannot get close.

Specifications:

Item Dimensions8.27 x 3.98 x 4.53 inches
Item Weight1.38 lbs
Lens TypeTelephoto
Maximum Aperture4.5mm
Maximum Focal Length350
Maximum Aperture Rangef4.5-6.3
Maximum Format SizeAPS-C
Minimum Aperture0
Minimum Focal Length70mm
Filter size67mm

Why I recommend:

By providing rapid, quiet, and precise autofocus performance, the Linear Motor system adds to the camera’s natural, intuitive manual focus control. The AF/MF switch is located on the lens barrel for tactile control of this setting. Furthermore, two customizable focus hold buttons are on this lens so that you can get to your favorite settings quickly and intuitively.

 In addition, it offers Optical Steady Shot picture stabilization, which reduces the impression of camera shake and allows for sharper handheld shooting. Through this lens, I have gained an opportunity to develop my photography skills further. It was surprising to find out that the camera’s wide-area focus coverage and aperture widening produced reasonably detailed images.

High-tech optical systems create a hollow, natural-looking impression while removing the possibility of making errors due to varying focal points and poor lighting conditions, eliminating the possibility of making mistakes. I could take remote photos of my subjects using this lens, the premier telephoto lens for the mirrorless camera, by posing back and recording the action.

Why I don’t recommend:

You cannot use this lens with teleconverters, so if you want to connect it to a teleconverter, you will need another device.

Pros

  • Image stabilization
  • Fast and accurate autofocus
  • Extremely quick result
  • Wide zoom range
  • Compact and lightweight
  • Excellent image quality

Cons

  • No weather-sealing
  • Slow maximum aperture

5. Rokinon 12mm F2.0 – best wide-angle lens for a mirrorless camera

We returned to college after our summer vacation. Our teachers encouraged us to engage in some creative activities while on vacation. I’ve always been fascinated by photography scenery like the Moon, Sky, Meadows, Mountains, Milkyway, and other distorted visions of nature fascinate me.

The “Rokinon 12mm F2.0” is the best wide-angle camera lens I’ve ever wanted to practice, but my studies have limited me to a few opportunities. In addition to that, the Rokinon 12mm F2.0 lens has enabled me to fulfill my fantasy. It allowed me to see the world the way I desired. I adore it and have yet to find a better lens for my camera.

In addition to its 35mm equivalent focal length of 18mm, it also boasts a wide 98.9° angle of view, making it ideal for architectural, interior, and landscape photography. The fast f/2.0 aperture makes working in low light conditions easier. If you enjoy taking photographs of nature, then the “Rokinon 12mm F2.0” is the best wide-angle lens for mirrorless cameras.

Specifications:

Product Dimensions2.3 x 2.8 x 2.8 inches
Item Weight0. lbs
Aperture RangeF2.0 to F22
Filter Size67mm
Diaphragm Blades6
CoatingUltra Multi-Coating
Minimum Focusing Distance0.2m
Maximum Diameter72.5mm
Optical Construction12 Elements in 10 Groups
Angle of View98.9° / 4/3: 83.0°

Why I recommend:

This camera features six circular blades, which add a touch of art to your photos, provide a sense of soft dimension with incredible bokeh, and make it ideal for out-of-focus portraits and cityscape photographs at night. Aside from the fact that this lens is small and light, I also enjoy the fact that I can carry it around without having to worry about its weight.

As a photographer, this lens is much more versatile than a regular conventional camera. It gives traditional shots a unique twist. It offers a wide variety of photo opportunities. It is a good camera lens for cramped spaces inside or in landscapes. It produces amazing images due to its wide-angle nature.

My photos fill the entire frame. I use a lens hood to prevent dust and distortion from entering the lens. Smooth focusing ensures precise control and very crisp shots so that I can take good night and indoor photographs. It enhances my creativity as a photographer.

Why I don’t recommend:

The lens does not have image stabilization while using it, and there is some distortion at the edges of the image.

Pros

  •  Wide field of view
  • Fast and bright aperture
  • Relatively affordable
  • Compact and lightweight
  • Good build quality

Cons

  • No autofocus with some versions
  • Limited close-focusing ability

6. Canon RF 24-70mm f/2.8 – best wedding photography lens for a mirrorless camera

My goal as a wedding videographer is to strive for creativity and perfection in what I do. The Canon RF 24-70mm f/2.8 wedding lens fits my wedding photography needs while focusing on my subject, providing a complete wedding photography result by capturing these features with artistry and creativity.

This wedding lens greatly enhanced my belief, as the wedding bells speak for themselves.By combining superb efficiency and advanced features, I was able to achieve my revolutionary ability to record video. I can film a video with pinpoint precision using this wedding lens with my camera, giving me a great vantage point for watching the scene.

Aside from that, it has a fast aperture rate and a wide lens, enabling it to capture crystal-clear video during weddings and other video-related events. Capturing colorful videos shocked me, causing me to acquire the best wedding lens. Together with the mirrorless camera, the Canon RF 24-70mm f/2.8, efficiently combines all essential features, quickly resulting in great wedding content.

Specifications:

Item Dimensions3.5 x 3.5 x 4.9 inches
Item Weight1.98 lbs
Maximum Aperture70mm
Maximum Focal Length2.8mm
Maximum Aperture Rangef/2.8
Maximum Format SizeFull frame
Minimum Aperture24mm
Minimum Focal Length2.8mm
CoatingAir Sphere coating

Why I recommend:

Regularly taking pictures while shooting HD video with the mirrorless cameras at f/2.8 over a 24-70mm zoom range consistently produced the most delicate, warm tones and eye-pleasing couple wedding film. Having a wedding film that is fantastic from start to finish was a huge accomplishment for me. Its three components eliminate chromatic aberration and ghosting.

Using Extra-Low Dispersion for Canon RF 24, I could focus on distant objects while maintaining a small ideal focal length, resulting in a high-quality and realistic image. Precision Glass Mold (PGM) Aspherical lens components minimize chromatic aberrations while boosting clarity and contrast, allowing me to capture the married couple’s fast-paced dance even at the largest apertures.

Air Sphere Coat reduced internal lens element reflections over a wide range of wavelengths. By moving the focusing ring on the lens, manual focusing can be converted without lag time. By using Internal Focus, I can focus swiftly and silently without changing the lens’s length, allowing me to stay near my companions during focus.

Why I don’t recommend:

Despite its large size and weight, this lens has some distortions that occur at wide apertures, and no image stabilization can be found.

Pros

  • L-series
  • Wide zoom range
  • Fast aperture
  • Optical Image stabilization
  • Weather-resistant design
  • Excellent build quality

Cons

  • Heavy and large
  • Noisy autofocus motor
  • Expensive

7. NIKKOR Z 70-200mm f/2.8 – best sport lens for mirrorless camera

For a living, I am a professional sports photographer. It is apparent from watching the summer and winter Olympics. I’ve loved sports from a young age, and I’ve always loved photography. Having considered combining these two passions and pursuing them as a career, I chose to pursue a career as a professional sports photographer.

Among the many sports are soccer, football (in the United States), baseball, softball, etc. NIKKOR Z 70-200mm f/2.8 is the best lens for sports photography.

As part of a solidly constructed, weather-sealed, fixed-size chassis, the “NIKKOR Z 70-200mm f/2.8” offers superb image quality, rapid and accurate autofocus, and stabilization. It provides photos with adorable effects and stability, free of distortion and flare, because it has a fast shutter speed and wide aperture. Additionally, it is compatible with extenders, making it a good choice when I need more focal length.

Specifications:

Item Dimensions8.66 x 3.5 x 3.5 inches
Item Weight3.09 lbs
Maximum Aperture2.8mm
Maximum Focal Length200mm
Maximum Aperture Range2.8
Minimum Aperture22mm
Minimum Focal Length70mm
Photo Filter Thread Size77mm
Optical zoom2.9x

Why I recommend:

Thanks to the improved optical image stabilization, photographs look high-quality. A control ring allows for smooth aperture, focus, and exposure adjustments, so there’s almost no shift in vision. Video and photography look dramatic due to the versatility of the 70-200mm lens range.

It is a very sharp lens, which makes it ideal for close-up photography. When you shoot into the sun, you seldom experience any lens flare, as it has a fast focus. It produces high-quality images regardless of light and environmental conditions. This lens has an incredible level of competence, and you will be blown away by its ease of use and capabilities. No other lens can compare to its competence and ability.

Fast, powerful, and highly desired 70-200mm telephoto zoom. The NIKKOR Z 70-200mm f/2.8 VR S sets a new standard for fast telephoto zoom lenses optimized for Nikon’s advanced mirrorless cameras. It features optical advancements for passionate cinematographers. It is the ideal lens for sports, concerts, weddings, wildlife, portraits, and more.

Why I don’t recommend:

It is required to use an adapter with older cameras, and it has no image stabilization capabilities.

Pros

  • Fast and accurate autofocus
  • Excellent image quality
  • Versatile focal range
  •  Weather-sealed construction
  • Compact and lightweight for a 70-200mm lens

Cons

  • Relatively expensive
  • Only f/2.8 aperture

Buyer’s guide

When it comes to choosing the best lenses for mirrorless cameras, there are a few things you need to keep in mind.

Type of photography:

First and foremost, you must decide what type you’ll be doing most often. This will help you narrow your choices and find the best lenses to suit your needs. For instance, if you’re mostly going to shoot landscapes, you’ll want a wide field of view lens.

On the other hand, if you’re mostly going to be shooting portraits, you’ll want a lens with a longer focal length so you can get nice, close shots of your subjects.

Camera’s sensor size:

Another important factor to consider is the size of your camera’s sensor. Most mirrorless cameras have smaller sensors than DSLRs, which require different lenses. Make sure you get lenses designed specifically for mirrorless cameras; otherwise, you might end up with subpar results.

Brand:

Many different brands of mirrorless cameras are available on the market, so you will want to consider the brand before ordering. Make sure you do a little research and read reviews before deciding which one is the best.

Price:

Finally, remember to think about budget when selecting your lenses. Lenses can range in price from a few hundred dollars to several thousand dollars, so it’s important to set a realistic budget before starting to shop. Once you know what you need and how much you’re willing to spend, finding the best lenses for your mirrorless camera should be a breeze!

Conclusion:

Mirrorless cameras are becoming increasingly popular, and the lenses available for them are growing rapidly. We’ve presented some of the best options for various types of photography, from wide-angle to portrait shots and everything in between. For each type of lens, we’ve discussed what features make it an ideal choice and its pros and cons. With so many great lenses available for mirrorless cameras, you should have no problem finding one that perfectly meets your needs.

FAQs

Do professional photographers use mirrorless cameras?

Professional photographers prefer mirrorless cameras to DSLR cameras when it comes to their cameras. It is estimated that 63% of professional photographers use mirrorless cameras when it comes to their cameras, while 36% of them use DSLR cameras.

Is mirrorless faster than DSLR?

Even though both DSLRs and mirrorless cameras can capture photos at very fast shutter speeds, a mirrorless camera has some simple internal mechanics that allow it to shoot faster than most DSLRs, especially when capturing a series or burst of images at once.

What is the major drawback of the mirrorless camera?

Image quality is one of the major drawbacks of mirrorless cameras. As mirrorless cameras typically have smaller sensors, they cannot capture as much light as DSLR cameras do, resulting in poor image quality, at least when compared to DSLRs.

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