Tamron is a leading manufacturer of high-quality interchangeable camera lenses that are popular among photographers of all levels. Their lenses are known for their excellent optical quality, innovative features, and competitive pricing.
Tamron lenses are designed to fit a variety of camera mounts, including those for Canon, Nikon, Sony, and other brands. Tamron lenses are known for their high optical quality, advanced features, and competitive pricing, making them popular among photographers of all levels.
This article will explore some of the best Tamron lenses for Canon, Nikon, and Sony cameras. We will discuss factors such as focal length, aperture, image stabilization, and autofocus performance and highlight each lens’s unique features.
Whether you’re a professional photographer or a hobbyist, this article will help you find the right Tamron lens to suit your photography needs.
Recommended Tamron Lenses after the test
The best Tamron lenses we select as our top pick are as follows:
1. Tamron SP 90mm F/2.8 – best Macro Zoom Lens for Nikon Z Mount
Traveling and learning new things are two of my favorite things. I’m so excited about it! The interaction with strangers, new people, and intriguing places gives me more opportunities to learn. It allows me to observe people going about their daily lives and having a good time.
Taking pictures of random individuals and anything I come across allows me to capture their feelings, thoughts, and emotions. My Tamron SP 90mm F/2.8 for the Nikon camera is my go-to macro lens for any party, wedding, family function, or trip that I attend. It has proven to be the best macro lens for Nikon.
Tamron’s outstanding build quality makes the SP 90mm f/2.8 Macro feel like a professional lens due to its exceptional quality. There are only a few plastic pieces in this lens: the front of the barrel and the plastic switches on the side corners of the lens. Tamron designed the lens to last, even when subjected to a lot of field usage due to its full metal barrel and metal mount.
Specifications:
| Item Dimensions | 4.61 x 2.48 x 2.87 inches |
| Item Weight | 1.34 lbs |
| Lens Type | Macro |
| Maximum Aperture | 32.00 inches |
| Maximum Focal Length | 90 millimeters |
| Maximum Aperture Range | f2.8 |
| Maximum Format Size | APS-C |
| Minimum Aperture | 32 inches |
| Minimum Focal Length | 90 millimeters |
| Photo Filter Thread Size | 62 millimeters |
Why I recommend:
Due to its Ultrasonic Silent Drive (USD) motor, the Tamron SP 90mm f/2.8 Macro can focus rapidly and quietly, which helps make the lens extremely quiet. Although the lens’ autofocus performance is quite strong, its consistency and precision can sometimes be erratic.
The lens offers clear images with very high contrast levels due to its optical design, making it one of the most impressive lenses in the industry. It comprises 14 components in 11 groups, with two extra-low-dispersion glass elements and one low-dispersion glass element being the most notable.
The camera comes with a high-speed ultrasonic silent drive (USD) autofocus motor, BBAR + and coating, and a moisture-proof build, just like its other siblings. With the front element fluoridated, this lens makes it easy to clean and repel water as well as smudges, which is why it is an excellent choice for taking pictures outdoors.
Why I don’t recommend
One common drawback of the Tamron SP, 90mm F/2.8 lens is its autofocus system, which may be slower and more accurate than some other lenses in its class, particularly when used for fast-moving subjects or in low-light conditions. Additionally, some users have reported issues with the build quality of the lens, such as the focus ring becoming loose or the aperture blades sticking.
Pros
- Excellent build quality
- Fast and accurate autofocus
- Very sharp images
- Good value for the price
- Weather-resistant
Cons
- Noisy autofocus
- Can’t use filters with the lens hood attached
2. Tamron 10-24mm f/3.5-4.5 – best wide angle lens for Canon EF Mount
With fairy lights, candles, and chandeliers to uplighting, spotlights, and lantern lamps, lighting can create an incredibly engaging atmosphere for any wedding gathering or function, making a special kind of involvement for everyone who attends. The lighting in the garden was fantastic.
As a night wedding photographer, I used the small candles scattered throughout the park. I shared some tremendous wedding lighting experiences with them. My wedding arrangements followed the mixed lighting theme, which was perfect for a night wedding. I always used a wide-angle Tamron 10-24mm f/3.5-4.5 lens for my DSLR cameras with a wide angle feature.
Tamron presents HLD (High/Low Force modulated Drive) AF drive framework with this lens. HLD meets my precise AF demands for weddings. With the tremendous driving force of the HLD, I can focus continuously and precisely without having to struggle. Despite the enormous focusing lens components, I can make satisfactory changes without switching from automatic to manual focus.
Specifications:
| Package dimensions | 16.5 x 15.5 x 10.5 centimetres |
| Item Weight | 15.5 Ounces |
| Camera Lens | 10-24 mm |
| Has image stabilisation | Yes |
| Lens Fixed Focal Length | 10 Millimetres |
| Max Focal Length | 24 |
| Min Focal Length | 10 |
| Objective Lens Diameter | 77 Millimetres |
| Zoom Type | Optical Zoom |
| Focus type | Auto/Manual |
| Photo Filter Thread Size | 77 Millimetres |
Why I recommend:
With a 10-24mm focal length, I can cover the entire wedding and other photojournalism goals. I get a smaller focal length and wider angle of view in my capture. I can photograph large decoration areas and a large group of wedding guests within a single wide-angle frame.
With VC and HLD motors, the lens’s general length incomprehensibly increases optical performance while maintaining a small size and shape. When coupled with an APS-C DSLR camera, this lens packs a universe of execution into a lightweight, compact body.
With its solid and compact body, I can carry this lens anywhere, and when I’m shooting a wedding, I feel more comfortable holding it. With an innovative and compact design, the Tamron 10-24mm F/3.5-4.5 maintains excellent optical performance across a vast range. It is an unbeatable wide-angle lens for DSLR cameras.
Why I don’t recommend:
One potential failure of the Tamron 10-24mm f/3.5-4.5 lens is that it may have some distortion and vignetting at the widest focal lengths, especially when used on full-frame cameras. In some situations, the maximum aperture of f/3.5-4.5 may not be wide enough for low-light photography.
Pros
- Wide angle of view
- Fast aperture
- Lightweight
- Weather-sealed
- Good image quality
Cons
- Slow autofocus
- Relatively high distortion
3. Tamron 17-70mm F2.8 – best zoom lens Sony E Mount
People around the country celebrate their special occasions and preserve memories by elegantly documenting telephoto pictures of each moment as the wedding season approaches. A few weeks ago, I was assigned to cover a destination wedding. I was nervous, but I knew that taking this opportunity would open up many options in the future.
Without hesitation, I grabbed the chance and departed for my goal with my Sony e-mount camera and Tamron 17-70mm F2.8 lens as my tiny hero. There is nothing more helpful than the Tamron 17-70mm F2.8 lens for Sony E mount cameras. Having it as a buddy for my e-mount is so beneficial. My clients were so happy with the results that they asked me to photograph their vacation again.
As a wide-angle lens, the Tamron 17-70mm F2.8 is perfect for capturing high-resolution images of wide-angle subjects; it has a fast zoom lens and a fast shutter speed, making it easy to use. I can use it to capture the brightest images, thus making them look more vibrant and attractive.
Specifications:
| Item Dimensions | 4.7 x 2.94 x 2.94 inches |
| Item Weight | 1.20 lbs |
| Lens Type | Standard |
| Maximum Aperture | 2.8 millimeters |
| Maximum Focal Length | 70 millimeters |
| Maximum Aperture Range | F/2.8 |
| Maximum Format Size | APS-C |
| Minimum Aperture | 22 |
| Minimum Focal Length | 17 millimeters |
| Photo Filter Thread Size | 67 millimeters |
Why I recommend:
I can take more detailed pictures with this zoom lens, making shooting more creative. I can crop whatever part of the scene I desire and make it look the way I want. The majority of lenses used to be large and hefty. However, this Tamron 17-70mm F2.8 is remarkably compact and light. I can easily fit it in my backpack or pouches.
Those who like to take pictures or vloggers will love this camera. I can click on the stunningly magnified photographs because it has the fastest zooming and precession. I can take high-resolution photos, but it also has additional advantages, such as being moisture-resistant.
With the Tamron 17-70mm F2.8, you can take the best pictures this year at your wedding or tour. With the best zoom Sony e-mount lens, you can use dozens of focal lengths without transferring lenses, saving you time and ensuring you get photos you would have missed otherwise.
Why I don’t recommend:
One potential drawback of the Tamron 17-70mm F2.8 lens is that it may not have as consistently sharp image quality throughout the entire zoom range compared to more expensive lenses.
Additionally, some users have reported issues with the autofocus accuracy and durability of the lens.
Pros
- The image quality is very good
- Fast and accurate autofocus
- Wide zoom range
- Compact and lightweight
- Outstanding F2.8 optics
- Dust, splash, and fluorine protection
Cons
- Some distortion at 17mm
- Vignetting at 17mm and 70mm
4. Tamron SP 150-600mm f/5-6.3 – best sports lens for Nikon F Mount
My favourite thing to watch is football matches, and I was contracted to photograph incredible photographs of two dominant teams playing under-19 football. During that sports match, my top priority was not because I was passionate about the sport or interested in it. Shooting alone was the happiest and most emotional experience of my life.
The Nikon F was my favorite camera, and I was fortunate to use my best lens, the Tamron SP 150-600mm f/5-6.3. As a result of this adjustable lens, I produced fantastic video clips, and the zoom quality from a distance is impressive. I am very impressed with this lens for its price.
Tamron’s 150-600 VC lens is mainly constructed of high-grade plastic, which many customers may misinterpret as cheap and low-quality because it is primarily made of high-grade plastic. The Tamron 150-600’s build quality is excellent for something at such a price point. Because I do not rough-house my equipment, I am confident that the lens will serve me for many years.
Specifications:
| Item Dimensions | 16 x 11.4 x 8.2 inches |
| Item Weight | 7.49 lbs |
| Lens Type | Telephoto |
| Maximum Aperture | f/6.3 |
| Maximum Focal Length | 150 millimeters |
| Maximum Aperture Range | F6.3 |
| Maximum Format Size | APS-C |
| Minimum Aperture | f/5-6.3 |
| Minimum Focal Length | 600 millimeters |
| Photo Filter Thread Size | 95 millimeters |
Why I recommend:
Using the Tamron 150-600 VC lens was an enjoyable experience. Its controls are unique yet easy to locate and use, and the zoom was good. Due to the long throw of the zoom, which ranges from 150mm to 600mm, it requires a twist of the zoom ring to reach maximum magnification.
Thus, I discovered that the zoom ring could change focal lengths up to 200mm. Taking advantage of the lens’s barrel, as a bellows, is a lot easier than adjusting the focal length by a sequence of wrist twists. I found it much easier to do this by gripping the lens’ end and using it as a bellow.
Its three LD (Low Dispersion) components are very effective at correcting chromatic aberrations, a complex problem that can arise from shooting at a distance or using a long focal length. By combining the eBAND and BBAR coatings on Tamron lenses, the company reduces flare and ghosting, resulting in superior image quality.
Why I don’t recommend:
One drawback of the Tamron SP 150-600mm f/5-6.3 lens is that it may have slower autofocus performance compared to some higher-end lenses, especially in low-light conditions. Additionally, some users have reported that the lens may have issues with chromatic aberration and softness at the longest zoom range.
Pros
- Excellent image quality
- Fast and accurate autofocus
- Very good build quality
- 3 LD Glass Elements
- 106.3 Minimum Focus Distance:
Cons
- Slow maximum aperture
- Can be soft at 600mm
5. Tamron 17-28mm f/2.8 – best budget lens for Sony E Mount
Although I looked at almost every store, I needed help finding one that satisfied my image quality requirements for starting my trip portrait photography business. I received the Tamron 17-28mm f/2.8 lens from my uncle, an outstanding photographer, and editor. I set out with this lens on the Sony mount, crossing my fingers, and I am grateful that I received the best.
Despite my aversion to holding cheap lenses, I was blown away by its low pricing, and I named it the most extraordinary budget lens for Sony E mounts. I didn’t want to waste any opportunities to record fleeting events in my mental representations. The image sharpness and bokeh are fantastic since they emphasize every region aspect.
When used with the Sony, this lens is exceptional at zooming. The superb image quality and a high maximum aperture of f/2.8 gives the impression of a professional lens while allowing me to express myself more freely. As a result, I could react quickly to various street objects with the RXD’s silent, high-speed stepping motor autofocus.
Specifications:
| Item Dimensions | 3.9 x 2.87 x 2.87 inches |
| Item Weight | 0.93 lbs |
| Lens Type | zoom |
| Maximum Aperture | 2.8 millimeters |
| Maximum Focal Length | 28 millimeters |
| Maximum Aperture Range | f/2.8 |
| Maximum Format Size | Full Frame |
| Minimum Aperture | 22 |
| Minimum Focal Length | 17 millimeters |
| Photo Filter Thread Size | 67 millimeters |
Why I recommend:
By revealing its compatibility, I’ve finally figured out how to shift the angle of view to capture the picture, which has been a challenge for decades. The good news is that it’s within my budget. A unique viewpoint challenges expectations and enhances a product’s expressive capabilities. Filming went well, and I spent time planning.
With the picture stabilization capabilities, I can shoot from infinity to anywhere. The fluorine layer protects the video lens from dust and water droplets on the front and back. Video capabilities are enhanced with the Sony E mount and the optical stabilizer’s XY-Shift correction.
Your audience will pay more attention if your topic is more specialized. In addition to its cutting-edge technology, the lens fits into a buyer’s budget because it simultaneously captures static and moving objects. I grabbed precise, crisp pinpoints with the Sony mount due to the lens’s rapid aperture rate.
Why I don’t recommend:
One common drawback of the Tamron 17-28mm f/2.8 lens is that it does not have image stabilization, which may make it challenging to use in low light conditions or when shooting handheld. Additionally, some users have reported issues with autofocus accuracy and noise.
Pros
- Incredibly sharpness
- Very little distortion
- Built-in filter thread
- Weather-sealed
- Fast and accurate autofocus
Cons
- No image stabilization
- Somewhat slow aperture
Buyer’s Guide:
There are a few reasons why someone might choose a Tamron lens.
Price
Tamron lenses are often more affordable than their Canon or Nikon counterparts while offering similar quality and features.
Range of options
Tamron offers a wide range of lenses that cover various focal lengths and purposes, including some unique lenses that aren’t available from Canon, Nikon, or Sonny.
Image stabilization
Some Tamron lenses have built-in image stabilization, which can help reduce camera shake and result in sharper photos.
Compatibility
Tamron lenses are often compatible with multiple camera brands, so you can continue using your Tamron lenses if you switch from one camera brand to another.
However, it’s worth noting that Canon, Nikon, and Sony are both respected camera brands with excellent lens options. You will get a better lens for yourself depending on your needs and preferences.
Conclusion
Tamron lenses offer a great range of products, from wide-angle zooms to telephoto primes. With the right lens for your needs, you can capture stunning images with beautiful background blur and sharp details. The five best Tamron lenses we have discussed are all excellent choices for those looking for quality optics at an affordable price point.
FAQS
Are Tamron lenses good quality?
Yes, Tamron lenses are generally considered to be good quality. They offer a wide range of lenses for various camera brands, and their lenses are known for their sharpness, image quality, and value for money. However, as with any brand, the quality can vary depending on the lens model.
Are Tamron or Sigma lenses better?
It depends on the specific lens and your individual needs. Tamron and Sigma produce high-quality lenses that rival major camera brands like Canon and Nikon. Before deciding which one to buy, it’s important to consider factors like price, image quality, focal length, aperture, autofocus speed, and compatibility with your camera.
Are Tamron lenses as good as Sony?
Tamron lenses can be very good in some cases, they can be as good or better than Sony lenses, particularly in terms of value for money. However, the quality of a lens depends on several factors, including the specific model, focal length, aperture, and intended use. It’s important to research and compares specific lenses before making a purchase decision.
I have professional photography experience of about 18 years and I would to share my experience with lenses built by different brands. As a professional photographer from the USA, I have used a number of photography lenses during that time. As a result of my experience with these programs, I would like to share my experiences with you on this website. I wish for this website to serve as the final destination for people seeking the best lenses to suit their needs. Our unbiased reviews can be found on cameraslens.